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Stan Douglas
Born 1960, Vancouver. Lives and works in Vancouver, British Columbia, Canada.
EDUCATION
1982 Emily Carr College of Art, Vancouver, British Columbia, Canada
SOLO EXHIBITIONS
2009 Stan Douglas: Klatsassin, Mongin Art Center, Seoul, Korea [brochure]
Stan Douglas: Klatsassin, Vancouver Art Gallery, Vancouver, British Columbia, Canada
2008 Stan Douglas: Humor, Irony and the Law, David Zwirner, New York, New York
2007 Past Imperfect: Works 1986-2007, Württembergischer Kunstverein, Stuttgart, Germany;
Staatsgalerie Stuttgart, Stuttgart, Germany [catalogue]
Stan Douglas: Klatsassin, David Zwirner, New York, New York
Suspiria, 100 Tonson Gallery, Bangkok, Thailand
2006 Nu’tka’, Kitchener-Waterloo Art Gallery, Kitchener, Ontario, Canada
Stan Douglas: Klatsassin, Vienna Secession, Vienna, Austria [catalogue published in 2008]
2005 Stan Douglas: Inconsolable Memories, Joslyn Art Museum, Omaha, Nebraska [itinerary: Morris
and Helen Belkin Art Gallery, University of British Columbia, Vancouver, British
Columbia, Canada; Art Gallery of York University, Toronto, Ontario, Canada; The Studio
Museum in Harlem, New York, New York] [catalogue] [exhibition years 2005-2006]
Stan Douglas, PhotoEspaña, Salas de Exposiciones Municipales: San Benito, Valladolid, Spain
2004 Cuba, David Zwirner, New York, New York
2003 Stan Douglas: Film Installations and Photographs, kestnergesellschaft, Hanover, Germany
[catalogue]
Suspiria, David Zwirner, New York, New York
2002 Journey Into Fear, Contemporary Art Gallery, Vancouver, British Columbia, Canada
Journey Into Fear, Galeria Estrany de la Mota, Barcelona, Spain
Stan Douglas, Helga de Alvear, Madrid, Spain
Stan Douglas, The Serpentine Gallery, London, England [catalogue]
Stan Douglas, Zeno X Gallery, Antwerp, Belgium
2001 Journey Into Fear, David Zwirner, New York, New York
Le Détroit, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada
Le Détroit, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany
Stan Douglas: Le Détroit, Kunsthalle Basel, Basel, Switzerland [catalogue]
2000 Le Détroit, The Art Institute of Chicago, Chicago, Illinois
1999 Stan Douglas, Vancouver Art Gallery, Vancouver, British Columbia, Canada [itinerary:
Edmonton
Art Gallery, Edmonton, Alberta, Canada; The Power Plant, Toronto, Ontario, Canada; De
Pont Museum, Tilburg, The Netherlands; Museum of Contemporary Art, Los Angeles,
California] [catalogue]
Stan Douglas: Le Détroit, Art Gallery of Windsor, Windsor, Ontario, Canada
Stan Douglas: Pursuit, Fear, Catastrophe: Ruskin, B.C., Fondation Cartier pour l’Art
Contemporain, Paris, France
1998 Detroit Photos, David Zwirner, New York, New York
Stan Douglas, Salzburger Kunstverein, Salzburg, Austria
1997 Der Sandmann, Freedman Gallery, Albright Center for the Arts, Reading, Pennsylvania
Evening, Museum of Contemporary Art, Chicago, Illinois
Overture y Monodramas, Museo Alejandro Otero, Caracas, Venezuela [catalogue]
Photography, Centre genevois de gravure contemporaine, Geneva, Switzerland
1996 Nootka Sound Photographs, Zeno X Gallery, Antwerp, Belgium
Stan Douglas, Musée d’Art Contemporain Montréal, Montreal, Canada [catalogue]
Stan Douglas, Museum Haus Lange & Museum Haus Esters, Krefeld, Germany [catalogue]
Stan Douglas. Black and White Photography and Two Early Installations, David Zwirner, New
York, New York
1995 Stan Douglas, Marstall, DAAD, Berlin, Germany
Stan Douglas: Hors-champs and Evening, The Renaissance Society at the University of Chicago,
Chicago, Illinois
Stan Douglas, Monodramas, Neuer Aachener Kunstverein, Aachen, Germany
Stan Douglas: Pursuit, Fear, Catastrophe: Ruskin B.C., Walter Phillips Gallery, Banff, Alberta,
Canada
Subject to a Film: Marnie, Overture and Recent Photographs, David Zwirner, New York, New
York
1994 Currents 24: Pursuit, Fear, Catastrophe: Ruskin B.C., Milwaukee Art Museum, Milwaukee,
Wisconsin
Hors-champs, Contemporary Arts Museum Houston, Houston, Texas
Hors-champs/Matrix 123, Wadsworth Atheneum, Hartford, Connecticut
Stan Douglas, Institute of Contemporary Arts, London, England [itinerary: Viewpoint Photography
Gallery (with broadcast), Salford, England]
Stan Douglas, Macdonald Stewart Art Centre, Guelph, Ontario, Canada [itinerary: Art Gallery of
York University, Toronto, Ontario, Canada] [catalogue]
Stan Douglas, Centre Georges Pompidou, Paris, France [itinerary: Museo Nacional Centro de Arte
Reina Sofía, Madrid, Spain; Kunsthalle Zurich, Zurich, Switzerland; Witte de With,
Rotterdam, The Netherlands; Marstall and Deutschen Akademischen Austauschdienst e.V.
Galerie, Berlin, Germany] [catalogue]
Stan Douglas and Diana Thater, Witte de With, Rotterdam, The Netherlands
1993 Hors-champs, David Zwirner, New York, New York
Hors-champs, Transmission Gallery, Glasgow, Scotland
Hors-champs, World Wide Video Centre, The Hague, The Netherlands
Monodramas, Galerie Christian Nagel, Cologne, Germany
1992 Monodramas, Art Metropole (with broadcast), Toronto, Ontario, Canada
Monodramas and Loops, University of British Columbia Fine Arts Gallery (with broadcast),
Vancouver, British Columbia, Canada [catalogue]
1991 Monodramas, Galerie Nationale du Jeu de Paume, Paris, France
Trois Installations Cinematographiques, Ambassade du Canada, Services culturels, Paris, France
1989 Subject to a Film: Marnie/Television Spots, YYZ Gallery, Toronto, Ontario, Canada
1988 Television Spots (first six), Artspeak Gallery, Vancouver, British Columbia, Canada
Television Spots (first six)/Overture, Optica, Montreal, Quebec, Canada
Television Spots/Subject to a Film: Marnie (studies), Contemporary Art Gallery, Vancouver, British
Columbia, Canada [catalogue]
1987 Stan Douglas: Perspective 87, Art Gallery of Ontario (with broadcast), Toronto, Ontario, Canada
[catalogue]
1986 Onomatopoeia, Western Front, Vancouver, British Columbia, Canada
1985 Panoramic Rotunda, Or Gallery, Vancouver, British Columbia, Canada
1983 Slideworks, Ridge Theatre, Vancouver, British Columbia, Canada
1981 Two Hangers at the Jericho Beach Air Station, Jericho Beach, Vancouver, British Columbia,
Canada
GROUP EXHIBITIONS
2010 Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum,
New
York, New York
2009 Continuous Present, Yale University Art Gallery, New Haven, Conneticut
Projections: A Major Survey of Projection-based Works in Canada, 1964-2007, Mackenzie Art
Gallery, Regina, Saskatchewan, Canada
Still Revolution, CONTACT Toronto Photography Festival, Museum of Contemporary Canadian
Art (and various locations), Toronoto, Ontario, Canada [publication; cover ill.]
The Third ICP Triennial of Photography and Video, International Center of Photography, New
York, New York [catalogue]
2008 Agency: Art and Advertising, McDonough Museum of Art, Youngstown State University,
Youngstown, Ohio [catalogue]
Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography,
New York, New York [catalogue]
Artists vs. Hollywood, Queensland University of Technology, Brisbane, Australia
Broadcast Yourself, Hatton Gallery, Newcastle, England [itinerary: Cornerhouse, Manchester,
England]
The Cinema Effect: Illusion, Reality, and the Moving Image, Part I: Dreams, Hirshhorn Museum
and Sculpture Garden, Washington, D.C. [catalogue]
The Gallery, David Zwirner, New York, New York
Modern Ruin, Queensland Art Gallery, Brisbane, Australia [catalogue]
nach/sichten, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, Florida Re-enactments, DHC/ART Foundation for Contemporary Art, Montreal, Quebec, Canada to : Night, Hunter College Art Galleries, New York, New York [catalogue] True North, Deutsche Guggenheim, Berlin, Germany 2007 Fiction vs Réalité, Calouste Gulbenkian Foundation, Modern Art Center, Lisbon, Portugal Garten Eden: Der Garten in der Kunst seit 1900, Kunsthalle in Emden, Emden, Germany [itinerary: Stadtlohn Gallery, Bietigheim-Bissingen, Germany] [catalogue] Leerräume des Erzählens, Wilhelm Lehmbruck Museum, Duisburg, Germany Limits of Tolerance: Re-framing Mulitcultural State Policy, Centre A, Vancouver, British Columbia, Canada Projections, Justina M. Barnicke Gallery, Hart House, University of Toronto, Toronto, Ontario, Canada [itinerary: Art Gallery of Alberta, Edmonton, Alberta, Canada] Replaying Narrative, 10th Le Mois de la Photo à Montréal, Darling Foundry, Montreal, Quebec, Canada Samuel Beckett, Centre Georges Pompidou, Paris, France [catalogue] Shrinking Cities: International Research, Cranbrook Art Museum, Bloomfield Hills, Michigan Sounding the Subject: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts [catalogue] Un/Fair Trade, Neue Galerie am Landesmuseum Joanneum, Graz, Austria [catalogue] 2006 18:Beckett, Blackwood Gallery, Mississauga, Ontario, Canada [itinerary: Walter Phillips Gallery, The Banff Centre, Banff, Alberta, Canada] Beyond Cinema: The Art of Projection: Works from the Friedrich Christian Flick Collection, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany [catalogue] The 80’s: A Topology, Museu de Serralves, Porto, Portugal [catalogue] Intertidal: Vancouver Art & Artists, Museum Van Hedendaagse Kunst Antwerpen, Antwerp, Belgium Open House, Ellipse Foundation, Lisbon, Portugal [itinerary: Ellipse Foundation Art Centre, Cascais, Portugal] [catalogue] Photography, Film, Video: Constructing Realities. Diane Arbus, Stan Douglas, Gary Hill, Mike Kelley, Andy Warhol and Robert Whitman, Pace Wildenstein, New York, New York Sound and Vision: Photographic and Video Images in Contemporary Canadian Art – A Selection of Works from the MMFA, NGC, and AGO, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada Video: An Art, a History, 1965-2005 New Media Collection, Centre Pompidou, Miami Art Central, Miami, Florida 2005 50 Jahre/Years documenta 1955-2005, Kunsthalle Fridericianum, Kassel, Germany Beyond Delirious: Architecture in Selected Photographs from the Fontanals Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, Florida [catalogue] Down the Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, Queens, New York [catalogue] Early Work, David Zwirner, New York, New York En/Of, Museum Kurhaus Kleve, Kleve, Germany Guardami: Percezione del video, Palazzo delle Papesse – Centro Arte Contemporanea, Siena, Italy [catalogue] Intertidal, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium In This Colony, Kunstfort bij Vijfhuizen, Amsterdam, The Netherlands La Biennale di Venezia - 51st International Art Exhibition: The Experience of Art, Venice, Italy [catalogue] Microvisiones, Centro Andaluz de Arte Contemporáneo, Seville, Spain Multiple Räume: Seele-Park-Film, Teil 3 Staatliche Kunsthalle Baden, Germany The System of Allusion, Vox centre de l’image contemporaine, Montreal, Quebec, Canada UdK Berlin: Professorinnen und Professoren der Fakultät Bildende Kunst, Berlinische Galerie, Berlin, Germany Water, Water, Everywhere…, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona Zeitgenössische Fotokunst aus Kanada, Neuer Berliner Kunstverein, Berlin, Germany [catalogue] 2004 Éblouissement, Jeu de Paume, Paris, France Friedrich Christian Flick Collection im Hamburger Bahnhof, Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany [catalogue] Perspectives @ 25: A Quarter Century of New Art in Houston, Contemporary Arts Museum Houston, Houston, Texas [catalogue] Prefix Photo, Prefix Institute of Contemporary Art, Toronto, Ontario, Canada [catalogue] Schöner Wohnen, BE-PART Platform voor actuele kunst, Waregem, Belgium [catalogue] Shanghai Biennale: Techniques of the Visible, Shanghai, China Thriller, Edmonton Art Gallery, Edmonton, Alberta, Canada Videodreams: Between the Cinematic and the Theatrical, Kunsthaus Graz, Graz, Austria We Come In Peace/Histories of the Americas, Musée d’Art Contemporain de Montréal, Montreal, Quebec, Canada 2003 Baja to Vancouver: The West Coast and Contemporary Art, Seattle Art Museum, Seattle, Washington [itinerary: Museum of Contemporary Art, San Diego, California; Vancouver Art Gallery, Vancouver, British Columbia, Canada; California College of the Arts Wattis Institute, San Francisco, California] [catalogue] Fast Forward: Media Works from the Goetz Collection, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany [catalogue] Il Passato Non Esiste, Aurora, Rovereto, Italy Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore, Maryland [itinerary: Palm Beach Institute of Contemporary Art, Palm Beach, Florida] Media Works from the Goetz Collection, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany MosaiCanada: Sign and Sound, The Seoul Museum of Art, Seoul, Korea Mouvements de fonds - Acquisitions 2002 du Fonds national d'art contemporain, Musée d'Art Contemporain de Marseille, Marseille, France Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Solomon R. Guggenheim Museum, New York, New York [itinerary: Guggenheim Bilbao, Bilbao, Spain] [catalogue] On the Horror of Art, Grazer Kunstverein, Graz, Austria Soundtracks, Edmonton Art Gallery, Edmonton, Alberta, Canada Urban Incidence, Beaumontpublic + Königbloc, Luxembourg, Luxembourg 2002 documenta 11, Kassel, Germany [catalogue] Hollywood Revisited, Aarhus Kunstmuseum, Aarhus, Denmark [catalogue] The House of Fiction, Sammlung Hauser und Wirth in der Lokremise St. Gallen, St. Gallen, Switzerland [catalogue] Pictures, Greene Naftali Gallery, New York, New York Public Affairs, Kunsthaus Zürich, Zurich, Switzerland Regarding Landscape, Art Gallery of York University, Toronto, Ontario, Canada Sans commune mesure, Musée d'art moderne Lille Métropole, Villeneuve d’Ascq, France São Paulo Biennale, São Paulo, Brazil [catalogue] 2001 Action, On Tourne. Action, We’re Filming (Endtroducing), Villa Arson, Nice, France [catalogue] The Big Show, New International Cultural Center, Antwerp, Belgium [catalogue] Contemporary Utopia, Latvian Center for Contemporary Art, Riga, Latvia [catalogue] Ecofugal: Fugue from Ego for the Next Emergence, 7th International Istanbul Biennial, Istanbul, Turkey [catalogue] En Pleine Terre, Museum fur Gegenwartskunst, Basel, Switzerland I ε NY, David Zwirner, New York, New York La Biennale di Venezia – 49th International Art Exhibition: Plateau of Humankind, Venice, Italy [catalogue] Moving Pictures: 5thInternational Foto-Triennale Esslingen 2001, Galerie Villa Merkel, Esslingen am Neckar, Germany Recasting the Past: Beneath the Hollywood Tinsel, California State University at Fullerton Main Art Gallery, Fullerton, California Sammlung Hauser und Wirth/Part 2/Alternating Current, Sammlung Hauser und Wirth, St. Gallen, Switzerland [catalogue] 2000 12th Biennial of Sydney, Sydney, Australia [catalogue] Between Cinema and a Hard Place, Tate Modern, London, England Enclosed and Enchanted, Museum of Modern Art, Oxford, England [catalogue] Foto Biennale Rotterdam, Rotterdam, The Netherlands [catalogue] Gestus, Musee des Beaux Arts, Montreal, Quebec, Canada Hugo Boss Prize, Solomon R. Guggenheim Museum, New York, New York [catalogue] Insistent Memories, Harn Museum, University of Florida, Gainsville, Florida Let’s Entertain, Walker Art Center, Minneapolis, Minnesota [itinerary: Centre Georges Pompidou, Paris, France; Miami Art Museum, Miami, Florida] [catalogue] Making Time: Considering Time as a Material in Contemporary Video and Film. Palm Beach Institute of Contemporary Art, Lake Worth, Florida [catalogue] Media City Seoul 2000, Seoul, Korea [catalogue] Sammlung (1), The Oldest Possible Memory, Sammlung Hauser und Wirth, St. Gallen, Switzerland [catalogue] Shifting Sites, Le Détroit, Canadian Museum of Contemporary Photography, Ottawa, Ontario, Canada Thinking Space. Selections from the Ann & Marshall Webb Collection. Art Gallery of Hamilton, Hamilton, Ontario, Canada [catalogue] 1999 Artist Once-Removed, Künstlerhaus Stuttgart, Stuttgart, Germany Crossings, Rudolfinum, Prague, Czech Republic Double Vision, Stan Douglas and Douglas Gordon, Dia Center for the Arts, New York, New York [catalogue] Ecstatic Memory, Art Gallery of Ontario, Toronto, Ontario, Canada Flashes, (organized by the Fondation Cartier pour l’art Contemporain Exhibition), Centro Cultural de Belem, Lisbon, Portugal [catalogue] Liverpool Biennial of Contemporary Art, Liverpool, England The Modernist Document, Leonard & Bina Ellen Art Gallery, Concordia University, Montreal, Quebec, Canada [catalogue] Moving Images. Film-Reflection in Art, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium [catalogue] Notorious: Alfred Hitchcock and Contemporary Art, Museum of Modern Art, Oxford, England [itinerary: Museum of Contemporary Art, Sydney, Australia; Art Gallery of Hamilton, Hamilton, Ontario, Canada; Kunsthalle Brandts Klaedefabrik, Odense, Denmark; Centro Cultural de la Fundació “la Caixa” de Lleida, Lleida, Spain and Centro Cultural de la Fundació “la Caixa” de Tarragona, Tarragona, Spain; Hiroshima City Museum of Contemporary Art and Tokyo Opera City Art Gallery, Japan; Artsonje Center, Seoul, Korea] Rewind to the Future, Bonner Kunstverein, Bonn, Germany Searchlight: Consciousness at the Millenium, California College of Arts and Crafts, Oakland, California [catalogue] Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, San Francisco Museum of Modern Art, San Francisco, California [itinerary: Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany] [catalogue] So Faraway, So Close, Encore Gallery, Brussels, Belgium Stories of the Moment, Städtische Galerie im Lenbachhaus, Munich, Germany Umwelt/Umweld, Palais des Beaux-Arts, Brussels, Belgium [catalogue] Views from the Edge of the World, Marlborough Gallery, New York, New York 1998 1998 Images Festival of Independent Film and Video, Toronto, Ontario, Canada Altered States, Festival Theater AD Werf Utrecht Stichting, Utrecht, The Netherlands [catalogue] Auf der Spur, Kunsthalle Zürich, Zurich, Switzerland Berlin Biennale, Berlin, Germany [catalogue] Crossings, Kunsthalle Wien, Vienna, Austria [itinerary: Rudolfinum, Prague, Czech Republic] Five Years, 1993-1998, David Zwirner, New York, New York Ghost Story, Künstlerhaus Wien, Vienna, Austria [catalogue] Play Mode, The Art Gallery, University of California, Irvine, California [itinerary: Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, Michigan] [catalogue] Reservate der Sehnsucht, Hartware Projekte, Dortmund, Germany [catalogue] Sharawadgi, Felsenvilla, Vienna, Austria [catalogue] Stan Douglas, Carl de Keyzer, Maria Serebriakova, Luc Tuymans, Noritoshi Hirakawa, Zeno X Gallery, Antwerp, Belgium Stretch, Tensta Konsthall, Stockholm, Sweden [catalogue] Voice Over: Sound and Vision in Current Art (organized by The Hayward Gallery, London, England), Arnolfini Gallery, Bristol, England [itinerary: Hatton Gallery, Newcastle, England; John Hansard Gallery, Southampton, England; Cornerhouse Gallery, Manchester, England; Castle Museum, Nottingham, England; Royal Botanic Garden, Edinburgh, Scotland] [catalogue] Wounds: Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden [catalogue] Herzliya Museum of Art, Herzliya, Israel 1997 4th Biennale de Lyon, Lyon, France [catalogue] The 5th International Biennale in Nagoya-Artec '97, Nagoya, Japan '97 Kwangju Biennale, Kwangju, Korea [catalogue] Between Lantern and Laser: Video Projections, Henry Art Gallery, Seattle, Washington documenta X, Kassel, Germany [catalogue] Longing and Memory, Los Angeles County Museum of Art, Los Angeles, California Los Museos Guggenheim y el Arte de este Siglo, Guggenheim Bilbao, Bilbao, Spain MUU Tenth Anniversary Exhibition, Muu Gallery, Museum of Photography, Helsinki, Finland [catalogue] Public Service and Other Announcements, Philadelphia Museum of Art, Philadelphia, Pennsylvania Sharon Lockhart/Stan Douglas/Hiroshi Sugimoto, Museum Boymans Van Beuningen, Rotterdam, The Netherlands Skulptur Projekte Münster, Munster, Germany [catalogue] Someone Else with my Fingerprints, David Zwirner, New York, New York [itinerary: Galerie Hauser and Wirth, Zurich, Switzerland; August Sander Archiv/SK Stiftung Kultur, Cologne, Germany; Kunstverein, Munich, Germany; Kunsthaus, Hamburg, Germany] [catalogue] Timeframes, Freedman Gallery, Albright Center for the Arts, Reading, Pennsylvania [catalogue] Trade Routes: History and Geography, 1997 Johannesburg Biennale, Institute of Contemporary Art, Johannesburg, South Africa [catalogue] Twenty Years.almost, Robert Miller Gallery, New York, New York 1996 100 Photographs, American Fine Arts, New York, New York 1996 Hugo Boss Prize, Solomon R. Guggenheim Museum, New York, New York [catalogue] Antartica Artes com a Folha, Museum of Image and Sound, São Paulo, Brazil Art in the Age of Post-colonialism and Global Migration, Steirischer Herbst 96, Graz, Austria The Culture of Nature, Kamloops Art Gallery, Kamloops, British Columbia, Canada Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles, Museum of Contemporary Art, Miami, Florida [catalogue] Everything That's Interesting is New: The Dakis Joannou Collection, Athens School of Fine Arts “the factory,” Athens, Greece [itinerary: Museum of Modern Art, Copenhagen, Denmark; Solomon R. Guggenheim Museum, New York, New York] [catalogue] Hall of Mirrors: Art and Film Since 1945, Museum of Contemporary Art, Los Angeles, California [itinerary: The Wexner Center for the Arts, Columbus, Ohio; Palazzo delle Esposizioni, Rome, Italy; Museum of Contemporary Art, Chicago, Illinois] [catalogue] Ideal Standard Life, Spiral Garden, Tokyo, Japan [itinerary: Gallery Seomi, Seoul, Korea] Instants Photographiques: Oeuvres Choisies de la Collection, (organized by the Musée d'Art Contemporain de Montréal) Couvent des Cordeliers, Paris, France [catalogue] Jurassic Technologies Revenant: 10th Biennale of Sydney, Sydney, Australia [catalogue] Nach Weimar, Kunstsammlungen zu Weimar, Weimar, Germany [catalogue] NowHere, Louisiana Museum of Modern Art, Humlebæk, Denmark [catalogue] Real Fictions: Four Canadian Artists, Museum of Contemporary Art, Sydney, Australia [catalogue] The Red Gate, Museum van Hedendaagse Kunst, Ghent, Belgium [catalogue] Rough Bush, Or Gallery, Vancouver, British Columbia, Canada Shifting Shapes: Reading the Shadows, Bard College, Annandale-on-Hudson, New York Un-frieden. Sabotage von Wirklichkeiten, Kunstverein und Kunsthaus in Hamburg, Hamburg, Germany 1995 3rd Biennale d'art Contemporain de Lyon, Palais de Congrès, Lyon, France [catalogue] 26th Rencontres Internationales de la Photographic, Arles, France [catalogue] 1995 Carnegie International, The Carnegie Museum of Art, Pittsburgh, Pennsylvania [catalogue] 1995 Whitney Biennial, Whitney Museum of American Art, New York, New York [catalogue] Das Ende der Avantgarde, Kunst als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany [catalogue] Displaced Histories, Canadian Museum of Contemporary Photography, Ottawa, Ontario, Canada L'Effet Cinema, Musée d’Art Contemporain de Montréal, Montreal, Quebec, Canada [catalogue] Le Monde après la Photographie, Musée d'Art Moderne, Villeneuve d'Ascq, Communauté Urbaine de Lille, France [itinerary: Villa Arson, Nice, France] [catalogue] A Notion of Conflict: A Selection of Contemporary Canadian Art, Stedelijk Museum, Amsterdam, The Netherlands [catalogue] En Passant, Institut für Gegenwartskunst, Vienna, Austria Spirits on the Crossing, Setagaya Museum of Art, Tokyo, Japan [itinerary: Hokkaido Museum of Modern Art, Sapporo, Japan; National Modern Art Museum, Kyoto, Japan] [catalogue] Temporary Translation(s). Kunst der Gegenwart und Fotografie, Sammlung Schürmann Deichtorhallen, Hamburg, Germany [catalogue] Trust, Tramway, Glasgow, Scotland Video Spaces, The Museum of Modern Art, New York, New York [catalogue] 1994 Beeld/Beeld (Image/Image), Museum van Hedendaagse Kunst, Ghent, Belgium Een Keuze uit de Collectie, Museum van Hedendaagse Kunst, Ghent, Belgium First Light: Celebrating African Canadian Cinema, Canadian Artist's Network: Black Artists in Action, Toronto, Ontario, Canada In the Field: Landscape in Recent Photography, Margo Leavin Gallery, Los Angeles, California Les Absences de la Photographie, (organized by Cinema Libre Goethe Institut) Montreal, Quebec, Canada [catalogue] The Media, Magic Media Company, Hürth, Germany Neither Here Nor There, Los Angeles Contemporary Exhibitions, Los Angeles, California Notational Photographs, Metro Pictures and Petzel/Borgmann Gallery, New York, New York Public Information: Desire, Disaster, Document, Museum of Modern Art, San Francisco, California [catalogue] Stain: Stan Douglas, Douglas Gordon, Joachim Koester, Galerie Nicolai Wallner, Copenhagen, Denmark [catalogue] Stan Douglas and Diana Thater, Witte de With, Rotterdam, The Netherlands Summer Group Show, David Zwirner, New York, New York Theoretical Events, Naples, Italy 1993 Behind the Signs, Artspeak Gallery, Vancouver, British Columbia, Canada [catalogue] Canada - une nouvelle génération, Musée de L'Abbaye Sainte-Croix, Les Sables-d’Olonne, France, [itinerary: Musée des Beaux Arts, Fonds Regional d’Art Contemporain Franche-Comté, Dole, France] [catalogue] Gent te Gast, de keuze van Jan Hoet uit de collectie van het Museum van Hedendaagse Kunt in Gent, De Beyerd, Breda, The Netherlands Out Of Place, Vancouver Art Gallery, Vancouver, British Columbia, Canada [catalogue] Self Winding, Sphere Max, Tokyo, Japan [itinerary: Nanba City Hall, Osaka, Japan] Tele-Aesthetics, Procter Art Center, Bard College, Annandale-on-Hudson, New York [catalogue] Working Drawings, Artspeak Gallery, Vancouver, British Columbia, Canada 1992 The Creation.of the African-Canadian Odyssey, The Power Plant, Toronto, Ontario, Canada, [catalogue] documenta IX, Kassel, Germany [catalogue] 1991 Northern Lights: An Exhibition of Canadian Video Art, (organized by Michael Goldberg) Canadian Embassy, Tokyo, Japan [itinerary: Nagoya City Art Museum, Nagoya, Japan; Hokkaido Musem of Modern Art, Sapporo, Japan] [catalogue] The Projected Image, San Francisco Museum of Modern Art, San Francisco, California Schwarze Kunst: Konzept zur Politik und Identität, Neue Gesellschaft für Bildende Kunst, Berlin, Germany [catalogue] Working Truths/Powerful Fiction part of the Regina Work Project, Mackenzie Art Gallery, Regina, Saskatchewan, Canada [catalogue] 1990 The 8th Biennale of Sydney: The Readymade Boomerang: Certain Relations in 20th Century Art, Art Gallery of New South Wales, Sydney, Australia [catalogue] Biennale di Venezia: Aperto '90, Venice, Italy [catalogue] Issues in Contemporary Video, Mendel Art Gallery (with broadcast), Saskatoon, Saskatchewan, Canada [catalogue] Passage de l'image (Video Program), Musée national d'art moderne, Centre Georges Pompidou, Paris, France, [itinerary: Fundació Caixa de Pensions, Barcelona, Spain] [catalogue] Privé/Public: Art et Discours Social, Galerie d'art Essai & Galerie du Cloître, Rennes, France [itinerary: Winnipeg Art Gallery (with broadcast), Winnipeg, Manitoba, Canada] Reenactment, Between Self and Other, The Power Plant, Toronto, Ontario, Canada [catalogue] 1989 Biennial Exhibition of Contemporary Canadian Art, Musée des beaux-arts du Canada (with broadcast), Ottawa, Ontario, Canada [catalogue] Photo Kunst, Staatsgalerie Stuttgart, Stuttgart, Germany [catalogue] The Vancouver Exchange, Cold City Gallery, Toronto, Ontario, Canada
1988 Behind the Sign: Collaboration Between Writers and Visual Artists, Artspeak Gallery,
Vancouver,
British Columbia, Canada [catalogue]
Made in Camera, VAVD Editions, Stockholm, Sweden [catalogue]
1986 Broken Muse, Vancouver Art Gallery, Vancouver, British Columbia, Canada [catalogue]
Camera Works, Or Gallery, Vancouver, British Columbia, Canada
Mechanics of Memory, Surrey Art Gallery, Surrey, British Columbia, Canada [catalogue]
Songs of Experience, National Gallery of Canada, Ottawa, Ontario, Canada [catalogue]
1983 PST: Pacific Standard Time, The Funnel Experimental Film Theatre (a YYZ project), Toronto,
Ontario, Canada, [itinerary: Western Front, Vancouver, British Columbia, Canada]
Vancouver: Art and Artists 1931-1983, Vancouver Art Gallery, Vancouver, British Columbia,
Canada [catalogue]
EXHIBITIONS CURATED BY THE ARTIST
2006 Beyond Cinema: The Art of Projection. Films, Videos, and Installations from 1963 to 2005,
Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany [catalogue]
1988 Samuel Beckett: Teleplays (Stan Douglas, curator), Vancouver Art Gallery, Vancouver, British
Columbia, Canada (toured Canada, the United States, Australia, France, and Italy 1988-91)
[catalogue]
SELECTED BIBLIOGRAPHY
2009 Deming, Richard. “Stan Douglas.” Artforum (February 2009): 187. [ill.]
Kamping-Carder, Leigh. “At the Gastown Riot.” The Walrus (July/August 2009): 16-18. [ill.]
Lanthier, Nancy. “Stan Douglas.” Point of View (Spring 2009): 22-25 [ill.]
Rosenberg, Ann. “Past Imperfect.” Galleries West (Summer 2009): 1, 50-53. [ill.] cover
2008 Braun, Adrienne. “Warum Deutschlands Museen so ‘Internäschenel’ Tun.” ART das
Kunstmagazin
(January 2008) [ill.]
Hill, Mary Frances. “Beyond the Lens, Starkly.” The Vancouver Sun (November 6, 2008) [ill.]
Johnson, Ken. “Stan Douglas.” The New York Times (November 21, 2008): C27.
McDonough, Tom. “Anarchive.” Art in America (May 2008): 76-79. [ill.]
Morrow, Fiona. “A Night to Remember (or Forget).” The Globe and Mail (October 30, 2008) [ill.]
Sundell, Margaret. “Previews: Archive Fever.” Artforum (January 2008): 131.
2007 Cornell, Lauren. “Reviews: Stan Douglas.” Time Out New York (January 4-10, 2007): 86. [ill.]
Enright, Robert. “Double Take.” Frieze (September 2007): 168-175. [ill.]
Frankel, David. “Previews: Samuel Beckett.” Artforum (January 2007): 122.
Goodbody, Bridget L. “Even on the Big Screen, Things are Never as They Seem.” The New York
Times (February 3, 2007): B11. [ill.]
Holert, Tom. “Stan Douglas.” Artforum (November 2007): 356-359. [ill.]
Johson, Paddy. “Crafted from Memories.” The Reeler (January 23, 2007) [online]
Milroy, Sarah. “Year in Review: Art.” The Globe and Mail (January 3, 2007)
Myers, Julian. “Shrinking Cities.” Frieze (Summer 2007)
Neil, Jonathan T.D. “Stan Douglas: Klatsassin.” ArtReview (March 2007): 143.
Princenthal, Nancy. “Stan Douglas’s Fugue States.” Art in America (April 2007): 108-111. [ill.]
Rivero, Dan. “Studio Museum in Harlem Comes to Low.” Columbia News: The Record (January
18, 2007): 1, 4.
Robinson, Walter. “Weekend Update.” Artnet.com (February 6, 2007) [ill.] [online]
Rollman, Louise. “Stan Douglas: Klatsassin.” Eyeline, No. 64 (Spring 2007): 54-55. [ill.]
Wilkinson, Judith. “Samuel Beckett.” Circa (Summer 2007): 86-88.
“Galleries- Chelsea: Stan Douglas.” The New Yorker (February 12, 2007): 14.
“Stan Douglas. Past Imperfect Opens in Stuttgart.” Artdaily.org (September 15, 2007) [ill.]
[online]
“The View: Stan Douglas.” En Route (August 2007): 54.
2006 Allen, Jennifer. “Trouble At Berlin’s UdK.” Artforum.com (July 24, 2006) [online]
Camhi, Leslie. “Speak, Memory.” The Village Voice (December 28, 2006): 48. [ill.]
Dick, Terence. “Stan Douglas: Cuba Photographs.” Border Crossings, Vol. 25-3, No. 99: 80. [ill.]
Douglas, Stan. “Stan Douglas Talks about Klatsassin.” Artforum (October 2006): 233. [ill.]
Fortin, Sylvie. “Stan Douglas’ Inconsolable Memories: Adapting Synchrony.” Art Papers
(March/April 2006): 40-45. [ill.]
Gessell, Paul. “Vancouver Philanthropist Gives $2 million for Art Fund.” The Vancouver Sun (July 21, 2006) Henderson, Lee. “The Greatest Living Artist in Vancouver.” Vancouver (January/February 2006): 84-90. [ill.] Hopkins, Randi. “Long Time Passing: Annual Wasserman Forum at MIT, Deb Todd Wheeler at Green Street, David Rees at Harvard.” The Boston Phoenix (November 8, 2006) [ill.] Kwan, Vanessa. “Stan Douglas: Inconsolable Memories.” Straight.com (February 9, 2006) [online] McFadden, Sarah. “Intertidal: Vancouver Art and Artists.” Art on Paper (May/June 2006): 52. Phillips, Kelly. “Nature, Love It While It Lasts.” Art Fairs International, Vol. 2, No ½ (2006): 25. Rogerson, Stephanie. “Inspired by Beckett: Samuel Beckett’s Birthday Sparks a Fine, Intelligent Exhibition.” Now (December 14-20, 2006) Shariatmadari, David. “Conversations With Photographers.” Contemporary, No. 82 (2006): 65. Temple, Kevin. “Stan Douglas: Intense Vancouver Artist’s Photo/Film Show on Cuba Demonstrates the Stunning Resilience of Capitalism.” Now, Vol. 25, No. 33 (April 13-19, 2006) Young, Andy. “The New Alchemists.” Men’s Vogue (November/December 2006): 198. [ill.] “A Look Back and Ahead.” Canadian Art (2006) “Goings on About Town: Studio Museum in Harlem.” The New Yorker (December 11, 2006) “Stan Douglas Exhibits at the Wiener Secession.” Artdaily.com (December 4, 2006) [ill.] [online] “Stan Douglas: Inconsolable Memories.” Artdaily.com (November 16, 2006) [ill.] [online] “Stan Douglas: Inconsolable Memories.” Studio: The Studio Museum in Harlem Magazine (Fall/Winter 2006-2007): 1, 6-7. [cover] [ill.] 2005 Golden, Thelma. “Best of 2005.” Artforum (December 2005): 250-251. [ill.] Kim, Christine Y. “Stan Douglas.” Studio: The Studio Museum in Harlem Magazine (Summer 2005): 34. [ill.] Laurence, Robin. “Real Pictures.” Border Crossings (2005): 90-92. Lewine, Edward. “Art that has to Sleep in the Garage.” The New York Times (June 26, 2005) Liss, David. “Canada: New Identities, New Territories.” Arco, No. 35 (Spring 2005): 23-26. Pasquariello, Lisa. “Stan Douglas.” Contemporary, No. 71 (2005): 50-53. [ill.] Rugoff, Ralph. “Venice Top Ten (In No Particular Order).” Frieze (September 2005): 103. Schwerfel, Heinz Peter. “Die Ausdehnung des Bildes in Raum und Zeit.” ART das kunstmagazin (March 2005): 32-41. Vine, Richard. “Shanghai Accelerates.” Art in America (February 2005): 104-111, 141. “51st Venice Biennale Special.” Flash Art (September 2005): 145-152. [ill.] 2004 Diez, Renato. “Una Festa per L’Arte.” Arte (September 2004): 68-73. Fels, Sophie. “Stan Douglas, ‘Cuba’.” Time Out New York (November 18-24, 2004): 86, 92. [ill.] Goddard, Peter. “One Block’s Tough Image.” Toronto Star (May 1, 2004) Lütticken, Sven. “Planet of the Remakes.” New Left Review, No. 25 (January/February 2004): 103-119. Mayo, Marti. “A Dedicated Residence for the New and the Now.” Perspectives @ 25: A Quarter Century of New Art in Houston (2004): 14, 80. [ill.] Rhodes, Richard [ed.]. “Newsmakers: The Vancouver School.” Canadian Art, Vol. 21, No. 3 (Fall 2004): 49. Richmond, Cindy. “Artist: Stan Douglas.” Western Living (June 2004): 10. [ill.] “Don’t Miss Stan Douglas ‘Cuba’.” Time Out New York (November 4-11, 2004): 61. [ill.] 2003 Crichlow, Warren. “Stan Douglas: ‘Suspiria’ at Documenta 11.” Fuse Magazine (January 26, 2003): 49. [ill.] Davis, Laurie. “Stan Douglas: Every Building on 100 West Hastings.” Prefix Photo, Vol. 4, No. 1 (2003): 72. Fetherling, George. “Ghetto or Necessary Dark Zone?” The Vancouver Sun (February 8, 2003) [ill.] Gielin, Denis. “Suspiria de Stan Douglas Ars Combinatoria.” DITS, No. 21 (Spring 2003): 136-141. [ill.] Kley, Elisabeth. “Stan Douglas at David Zwirner.” ARTnews, Vol. 102, No. 6 (June 2003): 115-116. Laster, Paul. “Stan Douglas ‘Suspiria.’” Flavorpill.net, No. 147 (April 1, 2003) [online] McClister, Nell. “Stan Douglas.” Artforum (Summer 2003): 185. 2002 Burnett, Craig. “Stan Douglas: Journey into Fear.” Modern Painters, Vol. 15, No. 1 (Spring 2002): 120-121. [ill.] Campbell-Johnston, Rachel. “Framed in the Plot of a Never-Ending Story.” The Times (February 27, 2002) Cotter, Holland. “Pictures at Greene Naftali.” The New York Times (February 15, 2002) Hackworth, Nick. “Films of Frustration.” The Evening Standard (March 12, 2002) Laurence, Robin. “Settling Into Unsettling Images.” The Georgia Straight (September 19-26, 2002): 110. Mackie, John. “‘Journey Into Fear’ Illuminates 100-block West Hastings.” The Vancouver Sun (September 16, 2002) Morton, Tom. “Stan Douglas: Serpentine Gallery.” Frieze, No. 68 (June-August 2002): 105-106. [ill.] Searle, Adrian. “Twelve Tubs of Popcorn and a Gallon of Coke, Please.” The Guardian (March 5, 2002) [ill.] Smith, Trevor. “Stan Douglas: Suspiria Redux.” Canadian Art (Winter 2002): 78. [ill.] Volk, Gregory. “Report from Istanbul: Back to the Bosphorus.” Art in America (March 2002): 42- 47. 2001 Birnbaum, Daniel. “Preview: Mama and Her Papa.” Artforum (May 2001): 69-70. Daniels, Corinna. “Das Grauen Klappert in der Autofreien Zone.” Die Weit (August 4, 2001) Dannatt Adrian. “Adrian Dannatt’s Choice of New York Contemporary Galleries.” The Art Newspaper (November 2001): 70-71. Dorment, Richard. “Fill in the Blanks.” The Art Newspaper (March 6, 2002) Enwezor, Okwui. “After Image.” Nka Journal of Contemporary African Art (Fall/Winter 2001): 18- 25. Fricke, Harald. “Inner City Blues.” Die Tageszeitung (August 1, 2001) Gellatly, Andrew. “Enclosed and Enchanted.” Frieze (January/February 2001): 114. [ill.] Jewesbury, Daniel. “Neither/Or.” Art Monthly (February 2001): 1-6. Jewesbury, Daniel. “Neither/Or: In Conversation with Stan Douglas.” Black Flash, Vol. 19, No. 2 (2001): 38-45. Lebredt, Gordon. “Living the Drive.” Parachute, No. 103 (October 2001): 26-41. Ruthe, Ingeborg. “Eleanor im Schattenland.” Berliner Zeitung (August 3, 2001) Wendenburg, Christina. “Zündschlüssel zum Glück.” Berliner Morgenpost (July 28, 2001) “Nut’ka.” Perth International Arts Festival (2001): 39. “Stan Douglas: Le Détroit.” NZZ Ticket (March 29-April 4, 2001): 71. 2000 Barson, Tanya. The National Art Collections Fund (2000): 123. [ill.] Birnbaum, Daniel. “Daily Double: The Art of Stan Douglas.” Artforum (January 2000): 90-95. [cover] [ill.] Bronwasser, Sacha. “Mee op Onderzoek.” De Volkskrant (March 2, 2000) Chu, Ingrid. “Stan Douglas.” Frieze (March/April 2000): 110-111. Culley, Peter. “Out of the Blue.” Border Crossings, No. 78 (2000): 64-70. [ill.] Dekker Jos. “Exploratie.” Man (March 2000): 30. Dick, Terence. “Abandon Hope All Ye Who Enter Here. Stan Douglas’s ‘Le Détroit.’” Prefix Photo, No. 1 (2000): 58-73. [ill.] Imdahl, Georg. “Das Schweigen des bronzenen Buddhas.” Frankfurter Allgemeine Zeitung (January 29, 2000): 46. Knight, Christopher. “Stan Douglas Plays a Trick on the Eye That’s a Real Treat.” Los Angeles Times (December 18, 2000): F1, F7. Monk, Philip. “Urban Gothic.” C Magazine (Spring 2000): 35-38. Salzman, Gregory. “Regarding Landscape.” Canadian Art (Fall 2000): 61-66. Siebers, Pieter. “Ontrafeling van het Moderne Leven.” Univers (February 2, 2000) Storr, Robert. “Stan Douglas: Alienation and Proximity.” Artpress (November 2000): 23-29. Van de Velde, Paola. “Videokunst voor Kenners.” De Telegraaf (February 29, 2000) Van den Hoven, Gerrit. “Geraffineerde Ontregeling van Kijkgedrag.” Brabants Dagblad (February 10, 2000) Willis, Holly. “Stan Douglas.” LA Weekly (December 8-14, 2000): 90. “Best Bets.” Los Angeles Times (December 7, 2000) “Stan Douglas, Der Sandman, Nu.tka. en Win, Place or Show.” Carp Kunst (March 14, 2000): 40. 1999 Birnbaum, Daniel. “Best of the 90s.” Artforum (December 1999): 114-115. [ill.] Damianovic, Maia. “Douglas Gordon and Stan Douglas.” tema celeste (May/June 1999): 84. Gessel, Paul. “1999 Canadian Tour a Homecoming for Contemporary Artist after Years of Celebrity Abroad.” The Ottawa Citizen (January 5, 1999) [ill.] Gopnik, Blake. “Behind a Barrage of Words.” The Globe and Mail (February 27, 1999): C3. [ill.] Gopnik, Blake. “Play it Again, Stan.” The Globe and Mail (October 2, 1999): C8. [ill.] Henry, Max. “Double Vision at Dia.” Art in America (September 1999): 120-21. Hume, Christopher. “Art: A Season Free of the Blockbuster.” The Toronto Star (September 23, 1999): 15. Hume, Christopher. “Vancouver Artist Charts Environment Gone Wrong.” The Toronto Star (September 30, 1999): 16. [ill.] Kravagna, Christian. “Leben in der Moderne.” Kunst-Bulletin (May 1999): 16-21. Laurence, Robin. “Stan Douglas Stays Behind the Lens.” The Georgia Straight (February 25-March 4, 1999): 63-64. Laycock, John. “In Between Spaces.” The Windsor Star (November 5, 1999): B3, B5. McEvilley, Thomas. “Seeing Double.” Interview (April 1999): 62-4. [ill.] Milroy, Sarah. “Stan Douglas.” Canadian Art (Fall 1999): 94-99. Schmerler, Sarah. “The Splitting Image.” Time Out New York (March 4-11, 1999): 55. Scott, Kitty. “Cityscape Vancouver: Stan Douglas.” Flash Art (May/June 1999): 68. [ill.] Scott, Michael. “Cultural Chameleon Comes Home.” The Vancouver Sun (February 27, 1999): D1, D4. [ill.] Shier, Reid. “Stan Douglas.” National Post (February 16, 1999): B10-B11. [ill.] Shottenkirk, Dena. “Letters from New York.” C Magazine (May-August 1999): 30. Siegel, Katy. “Preview: Stan Douglas/Douglas Gordon Double Vision.” Artforum (January 1999): 37. Smith, Roberta. “Uncharacteristic Adventures in Comparative Viewing.” The New York Times (December 17, 1999): E45. Solomon, Deborah. “Blights of the City.” Time (February 22, 1999): 60. Watson, Scott. “Stan Douglas.” Art/Text (August-October, 1999): 96-97. Weder, Adele. “Site and Sound.” Azure (March/April 1999): 38-39. Whyte, Murray. “Amid Serene Natural Beauty, A Residue of Brutal Trauma.” The New York Times (January 24, 1999): 35, 37. [ill.] Whyte, Murray. “At the Edge of a Dire Strait.” National Post (November 5, 1999) [ill.] Wilson-Gordon, Kaelen. “Double Vision.” Noticias de Arte (Spring 1999) “Double Vision.” Gallery Guide (April 1999): 68-9. C-International Contemporary Art (November 1999/February 2000): 9. 1998 Budney, Jen. “The Failed Utopia.” Siksi, Vol. 13, No. 1 (Spring 1998): 58-61. Doran, Ann. “Stan Douglas: Detroit Photos.” Time Out New York (November 19-26, 1998): 64. Erfle, Anne. “Warteschleife der Moderne: Stan Douglas’ Video Installation im Salzburger Kunstverein.” Suddeutsche Zeitung (September 15, 1998): 12. Frank-Grossebner, Elisabeth & Schollhammer, Georg. “Win, Place or Show.” Springerin (September-November, 1998): 32-37. Haimen, Robert. “Beziehunskiste.” Salzburger Volkszeitung (August 18, 1998): 118. Horrigan, Bill. “Taxing Memories.” Art/Text, No. 60 (February-April 1998): 72-77. Krumpl, Doris. “Der Fleck im Aug’ des Anderen.” Der Standard (August 11, 1998): 211. Pabinger, Daniele. “Stan Douglas’ Video Installation: Win, Place or Show.” Eikon (September 1998): 43-44. Phillips, Christopher. “Stan Douglas at David Zwirner.” Art in America (December 1998): 90. [ill.] Vogel, Sabine. “In the Neighbourhood.” Blitz Review (October 1, 1998): 1. Wagner, Anselm. “Stan Douglas in Gesprach.” Noema Art Journal, No. 49 (October/November 1998): 74-81. “In Zellen geschlichtet.” Salzburger Nachrichten (August 26, 1998): 32. “Kunst Auf Allen Wegen.” Die Presse (July 17, 1998): 417. “Stan Douglas.” Weltkunst (July 15, 1998) “Video-Reflexion.” Profil (August 3, 1998): 20. “Win, Place or Show.” Stadtleben (September 1998): 16. 1997 Baeten, Marleen. “De Kunst van het Herinneren.” Etcetera, Vol. 15, No. 61 (October 1997): 3-7. Blomberg, Katja. “Im Schrebergarten.” Frankfurter Allgemeine Zeitung (December 20, 1997) Cameron, Dan. “Glocal Warming.” Artforum Vol. 36, No. 4 (December 1997): 17-22, 130. Camhi, Leslie. “No Tech.” The Village Voice (January 14, 1997): 85. Ebony, David. “David Ebony’s New York Top Ten.” Artnet.com (1997): 1. [ill.] [online] Fanelli, Franco and Sarah Greenberg. “The Documenta of the Mind.” The Art Newspaper, Vol. 8, No. 72 (July/August 1997): 14-17. Johnson, Ken. “Eyes on the Prize.” Art in America (April 1997): 41-45, 135. [ill.] Jones, Ronald. “Stan Douglas.” Frieze (March-April 1997): 90-91. LaBelle, Charles. “Longing and Memory.” Art/Text, No. 59 (November-January 1997): 92-93. Schumacher, Rainald. “Stop the Train: Stan Douglas, Beat Streuli, Bruce Nauman, and Gary Hill.” Flash Art (May/June 1997): 90-93. Schwendener, Martha. “Stan Douglas.” Time Out New York (January 2-9, 1997): 35. [ill.] Smolik, Noemi. “Stan Douglas.” Kunstforum International (February/March 1997): 404-405. Tuer, Dot. “Mining the Media Archive.” Fuse, Vol. 20, No. 5 (November 1997): 21-29. [ill.] Turner, Grady T. “Stan Douglas at David Zwirner.” Art in America (June 1997): 111. [ill.] “Eine Aufforderung an den Betrachter zum Mitdenken.” Kölner-Stadt-Anzeiger (July 5, 1997) “Stan Douglas.” The New Yorker (January 20, 1997): 30. 1996 Carels, Edwin. “The Cinema Off Screen…” Archis (October 1996): 72-88. [ill.] Gale, Peggy. “Stan Douglas/Moving Targets.” Paletten, Vol. 224, No. 57 (January 1996): 4-9. Saltz, Jerry. “Eyes on the Prize.” Time Out New York (November 28, 1996): 20-21. [ill.] Smith, Roberta. “Past and Present, Dancing Toward Progress.” The New York Times (Friday, December 27, 1996): A28. [ill.] Williams, Linda. “Weightless Realms.” Photofile, No. 40 (August 1996): 22-30. [ill.] 1995 Artner, Alan. “Witnessing a Television Time Warp.” The Chicago Tribune (May 14, 1995): 24. Berg, Ronald. “Das Monodrama im Monitor.” Tagesspiegel (February 15, 1995) Casebere, James. “Möbius Strip: Interview with Stan Douglas.” Blind Spot, No. 6 (1995) Curtis, Sarah. “Stan Douglas.” World Art (February 1995): 110. Eccles, Tom. “Stan Douglas at David Zwirner.” Art in America (October 1995): 123. Gale, Peggy. “Stan Douglas. Evening and Others.” Parachute, No. 79 (July-September 1995): 20- 27. Greaves, McLean. “Canadian Artists Crash Whitney’s Showcase.” The Globe and Mail (April 1, 1995) Hagen, Charles. “Art in Review.” The New York Times (April 21, 1995) Heartney, Eleanor. “Video in Situ.” Art in America (October 1995): 94-99. Schjeldahl, Peter. “In Love Again.” The Village Voice (April 11, 1995): 85. Turner, Patricia C. “Video Exhibit Enters the Third Dimension.” The Star Ledger (July 5, 1995) Vogel, Sabine B. “Review: Kunsthalle Zurich.” Artforum (January 1995): 95. Volk, Gregory. “Stan Douglas.” ARTnews (October 1995): 151-152. “Back in Fashion, Video Installations.” The New York Times (July 11, 1995): 13-15. “Die Sprachen der Medien.” Artis (February/March 1995): 28-30. “Goings on About Town.” The New Yorker (April 24, 1995) “Fehlgeschlagene Utopien: Interview mit dem Videokünstler Stan Douglas.” Zitty (March 1995): 76-78. 1994 Cork, Richard. “Unhappy Case of Nostalgia.” The Times (September 6, 1994): 39. Elwes, Catherine. “Stan Douglas Review at the ICA.” Art Monthly, No. 180 (October 1994): 28- 29. Fargier, Jean-Paul. “Charmants Fantomes.” Le Monde (January 13, 1994): 1, 4. Lebert, Muriel. “Stan Douglas. La Situation du Spectateur dans l'Oeuvre.” Artefactum, No. 52 (Summer 1994): 65-68. Lewis, Ben. “Stan Douglas.” What’s On Magazine (September 23, 1994) McNally, Owen. “Freedom Rings.” The Hartford Courant (January 21, 1994): 1, 4. Pieters, Din. “Fascinerende tv-en Filmbeelden in Witte de With.” NRC Handelsblad (October 14, 1994) Pontzen, Rutger. “Plotloze Films uit Terminal.” Vrij Nederland (September 24, 1994): 60-63. Roos, Robbert. “Anders Omgaan met Film en Video.” Trouw (September 28, 1994): 60-63. Royoux, Jean-Christophe. “Resonance: Stan Douglas & Olivier Cadiot.” Galeries Magazine, No. 58 (April 1994): 46-49. Rudolfs, Harry. “Douglas Loops and Splits in Guelph and Downsview.” Excalibur (March 16, 1994) Sarrazin, Stephen. “Le Cadet de la fôret: Spoorzoeken in het Werk van Stan Douglas.” Metropolis (August 1994): 27-31. Schwartz, Ineke. “Beeldende kunst blijft te vaak op afstand.” De Volkskrant (September 15, 1994) Stals, José Lebrero. “Global Art.” Flash Art, No. 177 (Summer 1994): 111. Tjon, Carla. “De Verwarde Kijker.” Magazijn (September 1994): 30-31. Vergne, Philippe. “Stan Douglas: Musee national d'Art Moderne, Centre Georges Pompidou.” Parachute, No. 74 (April-June 1994): 28-9. Vogel, Sabine. “Lesen auf der Rückseite der Bilde.” Frankfurter Allgemeine Zeitung, No. 222 (September 23, 1994) Watson, Scott. “Making History.” Canadian Art, Vol. 11, No. 4 (Winter 1994): 30-37. Welling, Dolf. “Overrijk Aanbod van Tentoonstellingen.” Rotterdams Dagblad (September 20,
1994)
1993 Büchler, Pavel. “Digging it.” Creative Camera, No. 324 (October/November 1993): 48-49.
Cooke, Lynne. “Broadcast Views. Stan Douglas interviewed by Lynne Cooke.” Frieze
(September 1993): 41-45.
Luca, Elisabetta. “Stan Douglas.” Juliet Art Magazine, No 64. (October/November 1993): 83.
Stals, José Lebrero. “Stan Douglas: Christian Nagel.” Flash Art, No. 173 (November/December
1993): 116.
1992 Bosseur, Jean-Yves. Le sonore et le visuel: Intersections musique/arts plastiques aujourd'hui
[interview] (1992): 143-146.
Fetherling, Douglas. “Vancouver Anthology.” Canadian Art, Vol. 9, No. 3 (Fall 1992): 104.
Nzegwu, Nkiru. “The Creation of the African-Canadian Odyssey.” The International Review of
African American, Vol. 10, No. 1 (Spring 1992): 16-37.
O'Brian, John. “Vancouver Anthology.” Parachute, No. 66 (April-June 1992)
Rhodes, Richard. “Documenta IX.” Canadian Art, Vol. 9, No. 3 (Fall 1992): 82-87.
Royoux, Jean-Christophe. “Documenta IX: The Call of the Phrase.” Galeries, No. 50
(August/September): 80-89.
Taylor, Kate. “Out of the Gallery and into the World of Television.” The Globe and Mail
(November 27, 1992)
1991 Joslit, David. “Projected Identities.” Art in America (November 1991): 116-123.
Reveaux, Tony. “Fleeting Phantoms: the Projected Image at SFMoMA.” Artweek (March 28,
1991): 20-21.
Verjee, Zainub. “Vancouver Anthology.” Front (November/December 1991): 18-21.
1990 Gagnon, Monika. “Reenactment: Between Self and Other.” C Magazine (Summer 1990): 58-60.
1989 Danzker, Joe-Anne Birnie. “The Beauty of the Weapons.” Canadian Art (Fall 1989): 102-107.
Harris, Mark. “Stan Douglas.” C Magazine (Spring 1989): 74-75.
Henry, Karen. “Stan Douglas: Artspeak Gallery, Vancouver.” Parachute, No. 51 (June-August
1989): 35-5.
Hoolbloom, Mike. “Stan Douglas Talks at YYZ.” Independent Eye, Vol. 10, No. 2 (Winter 1989):
36-39.
Zazlove, Arne. “Samuel Beckett’s Teleplays.” C Magazine (Fall 1989): 60-65.
1988 Culley, Peter. “Window Dressing.” Vanguard (April-May 1988): 32-33.
Gale, Peggy. “Stan Douglas: Perspective ’87.” Canadian Art (Spring 1988): 95.
Henry, Karen. “Television Spots.” Parachute (July-August 1988): 35-36.
Watson, Scott. “Zweimal Canada Dry - Sechs Künstler aus Vancouver.” Wolkenkratzer Art
Journal (March-April 1988): 28-33.
1987 Culley, Peter. “Dream as Dialectic: Two Works by Stan Douglas.” Vanguard
(September/October
1987): 10-13.
Day, Peter. “Perspective 87: Stan Douglas.” Canadian Art, Vol. 4, No. 3 (September 1987): 39
Lawlor, Michael. “Camera Works.” Parachute (June-August 1987): 44-45.
Young, Jane. “Broken Muse.” C Magazine (Spring 1987): 75-77.
1986 Laing, Carol. “Songs of Experience.” Parachute (September-November 1986): 67-69.
Tourangeau, Jean. “Sins of Experience.” Vanguard, Vol. 15, No. 6 (Winter 1986/1987): 14-21.
Wood, William. “Skinjobs.” C Magazine (Summer 1986): 78-87.
1985 Watson, Scott. “The Afterlife of Interiority: Panoramic Rotunda.” C Magazine (Summer 1985):
23-25.
1982 Barb, Daniel. “Stan Douglas.” Vanguard (September 1982): 39.
MONOGRAPHS & SOLO EXHIBITION CATALOGUES
2008 Vienna, Austria. Vienna Secession. Stan Douglas: Klatsassin, 2008. Text by Ariane Beyn.
[exhibition in 2006]
2007 Munich, Germany. Verlag Silke Schreiber. Wie erzählt: Der Sandmann? Multiple Erzählung in
den
Film—und Videoinstallationen von Stan Douglas, 2007. Text by Dora Imhof.
Stuttgart, Germany. Württembergischer Kunstverein and Staatsgalerie Stuttgart. Stan Douglas: Past
Imperfect. Works 1986-2007, 2007. Edited by Hans D. Christ, Iris Dressler.
Stuttgart, Germany. Württembergischer Kunstverein and Staatsgalerie Stuttgart. Stan Douglas:
Short Guide, 2007. Texts by Stan Douglas, Katrin Mundt, Iris Dressler.
2006 Cologne, Germany. DuMont Literatur and Kunst Verlag. Stan Douglas, 2006. Texts by Philip
Monk, Friedrich Christian Flick.
2005 Vancouver, British Columbia, Canada. Joslyn Art Museum, Omaha, Nebraska and the Morris
and
Helen Belkin Art Gallery, University of British Columbia. Inconsolable Memories, 2005.
Texts by Sven Lütticken, Stan Douglas, Philip Monk, Cindy Richmond.
2003 Hanover, Germany. kestnergesellschaft. Stan Douglas: Film-Installationen un Fotografien, 2003.
Texts by Stan Douglas, Carsten Ahrens, Veit Görner.
2002 London, England. Serpentine Gallery. Journey into Fear, 2002. Texts by Stan Douglas, Michael
Turner.
Vancouver, British Columbia, Canada. Contemporary Art Gallery and Arsenal Pulp Press. Stan
Douglas: Every Building on 100 West Hastings, 2002. Text by Stan Douglas, Christina
Ritchie, Reid Shier, et al.
Vancouver, British Columbia, Canada. Vancouver Art Gallery and XXV Bienal de São Paulo.
Journey Into Fear, 2002. Text by Stan Douglas, Daina Augaitis.
2001 Basel, Switzerland. Kunsthalle Basel. Stan Douglas: Le Détroit, 2001. Texts by Stan Douglas,
Isabel Zürcher, Peter Pakesch.
Chicago, Illinois. The Art Institute of Chicago. Stan Douglas: Le Détroit, 2001. Text by Okwui
Enwezor.
2000 Lisbon, Portugal. Interferências and Museu do Chiado. Stan Douglas: Der Sandmann, 2000.
Texts
by Stan Douglas, Pedro Lapa.
1999 Vancouver, British Columbia, Canada. Vancouver Art Gallery. Stan Douglas, 1999. Texts by
Daina
Augaitis, George Wagner, William Wood, et al.
1998 London, England. Phaidon Press. Stan Douglas, 1998. Texts by Stan Douglas, Diana Thater,
Scott
Watson, Carol J. Clover.
1997 Caracas, Venezuela. Museo Alejandro Otero. Overture y Monodramas, 1997. Text by Julieta
Gonzalez.
1996 Krefeld, Germany. Museum Haus Lange and Museum Haus Esters. Stan Douglas. Potsdamer
Schrebergarten. Der Sandmann, 1996. Texts by Stan Douglas, Julian Heynen.
Montreal, Canada. Musée d’Art Contemporain de Montréal. Stan Douglas, 1996. Text by Gilles
Godmer.
1994 Guelph, Ontario, Canada and Toronto, Ontario, Canada. Macdonald Stewart Centre and Art
Gallery
of York University. Stan Douglas, 1994.
Madrid, Spain. Museo Nacional Centro de Arte Reina Sofía. Stan Douglas, 1994. Text by
Christine van Assche.
1993 Paris, France. Centre Georges Pompidou. Stan Douglas: Indisponible, 1993. Texts by Christine
van
Assche, Jean-Christophe Royoux, Peter Culley.
1991 Vancouver, British Columbia, Canada. University of British Columbia Fine Arts Gallery.
Monodramas and Loops, 1992. Texts by Scott Watson, John Fiske.
1988 Vancouver, British Columbia, Canada. The Contemporary Art Gallery. Stan Douglas. Television
Spots, 1988. Text by Miriam Nichols.
1987 Toronto, Ontario. Art Gallery of Ontario. Perspective 87: Stan Douglas, 1987. Text by Barbara
Fischer.
SELECTED BOOKS AND CATALOGUES
2009 Ostfildern-Ruit, Germany. Hatje Cantz. Art of Projection, 2009. Edited by Christopher Eamon,
Stan
Douglas. Texts by Mieke Bal, Beatriz Colomina, Thomas McDonough, Gregor Stemmrich.
Vancouver, British Columbia, Canada. Talonbooks. Vancouver Anthology: The Institutional Politics
of Art, Revised Edition, 2009. Edited by Stan Douglas.
2008 Cologne, Germany. DuMont Buchverlag. Stations: 100 Meisterwerke zeitgenössischer Kunst,
2008.
Edited by Silke Hohmann.
London, England. Phaidon Press. Art & Today, 2008. Text by Eleanor Heartney.
New York, New York. Hunter College Art Galleries. to: Night: Contemporary Representations of
the Night, 2008. Texts by Joachim Pissarro, Katy Siegel, Tracy L. Adler, Mara Hoberman,
Julia Moreno. New York, New York. International Center of Photography. Archive Fever: Uses of the Document in Contemporary Art, 2008. Text by Okwui Enwezor. South Brisbane, Australia. Queensland Art Gallery. Modern Ruin, 2008. Text by Kathryn Weir. Washington, D.C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institute. The Cinema Effect: Illusion, Reality, and the Moving Image, 2008. Text by Kerry Brougher. Youngstown, Ohio. McDonough Museum of Art, Youngstown State University. Agency: Art and Advertising, 2008. Texts by Kevin Concannon, John Noga, Leslie Brothers, Kyle Stoneman, Cristina Alexander, et al. Zurich, Switzerland. JRP | Ringier. Blasted Allegories: Works from the Ringier Collection, 2008. Edited by Beatrix Ruf. Interviews by Beatrix Ruf, Michael Ringier, Gerhard Mack. 2006 Berlin, Germany. Hatje Cantz and Hamburger Bahnhof - Museum für Gegenwart. Beyond Cinema: The Art of Projection, 2006. Texts by Stan Douglas, Christopher Eamon, Anette Hüsch, Joachim Hunter, Gabriele Knapstein, Britt Schlehahn. Exhibition curated by Stan Douglas, Christopher Eamon. Berlin, Germany. Ullstein Buchverlage GmbH. Plötzlich diese Übersicht, 2007. Text by Jörg Heiser. Cambridge, Massachusetts. List Visual Arts Center, Massachusetts Institute of Technology. Sounding the Subject/Video Trajectories: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust, 2007. Texts by Jane Farver, Pamela Kramlich, Richard Kramlich, Daniel Birnbaum, Mechtild Widrich, Caroline A. Jones. Emden, Germany. Kunsthalle Emden, Stiftung Henri Nannen and Stadtische Galerie Bietigheim- Bissingen. Garten Eden: Der Garten in Der Kunst Seit 1900, 2007. Texts by Katharina Henkel, Nils Ohlsen, Sabine Schlenker. Graz, Austria. Neue Galerie am Landesmuseum Joanneum. Un/Fair Trade, 2007. Texts by Peter Weibel, Christian Eigner, et al. Hornu, Belgium. Musée des Arts Contemporains. Atlas: de l’art contemporain à l’usage de tous, 2007. Text by Denis Gielen. Paris, France. Centre Georges Pompidou. Collection Art Contemporain, 2007. Edited by Sophie Duplaix. Paris, France. Centre Georges Pompidou. Samuel Beckett, 2007. Edited by Françoise Marquet. 2006 Cascais, Portugal. Ellipse Foundation Art Centre, Alcoitão. Open House (part 2), 2006. Texts by João Oliveira-Rendeiro, Manuel E.González, Alexandre Melo. Cologne, Germany. Taschen. Video Art, 2006. Edited by Uta Grosenick. Text by Sylvia Martin. Porto, Portugal. Serralves Museum of Contemporary Art. The Eighties: A Topology, 2006. Texts by Julian Heynen, Ulrich Loock, Pier Luigi Tazzi, Alain Cueff, Denys Zacharopoulos, Jean- François Chevrier, Abigail Solomon-Godeau, Eduardo Paz Barroso, António Cerveira Pinto, Alexandre Melo, Bernard Pinto de Almeida, João Fernandes. Rotterdam, The Netherlands. NAi Publishers. Secret Publicity: Essays on Contemporary Art, 2006. Text by Sven Lütticken. Vancouver, British Columbia, Canada. Arsenal Pulp Press and Artspeak Gallery. Vancouver Art & Economies, 2006. Texts by Clint Burnham, Randy Lee Cutler, Tim Lee, Sadira Rodrigues, Marina Roy, Sharla Sava, Reid Shier, Shepherd Steiner, Michael Turner. 2005 Berlin, Germany. Neuer Berliner Kunstverein. Zeitgenössische Fotokunst aus Kanada, 2005. London, England. Phaidon Press. pressPLAY: Contemporary Artists in Conversation, 2005. Interviews with Stan Douglas, Isa Genzken, Raymond Pettibon, Luc Tuymans, et al. London, England. Thames & Hudson. Art Since 1900: Modernism, Antimodernism, Postmodernism, 2005. Texts by Hal Foster, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh. London, England. Thames & Hudson. Art Works: Place. Texts by Tacita Dean, Jeremy Millar. Miami, Florida. Cisneros Fontanals Art Foundation. Beyond Delirious: Architecture in Selected Photographs from the Fontanals Cisneros Collection, 2005. Texts by Christopher Phillips, Michael Rush. Minneapolis, Minnesota. Walker Art Center. Bits & Pieces: Put Together to Present a Semplance of a Whole: Walker Art Collections, 2005. Texts by Joan Rothfuss, Elizabeth Carpenter. New York, New York. Queens Museum of Art. Down the Garden Path: The Artist's Garden After Modernism, 2005. Texts by Julian Agyeman, Mel Bochner, et al. Sienna, Italy. Palazzo Delle Papesse - Centro Arte Contemporanea. Guardami: Percezione del Video, 2005. Texts by Francesco Bernardelli, Lorenzo Fusi, Pietro Montani. Venice, Italy. Marsilio Editori. La Biennale di Venezia 51st International Art Exhibition: The Experience of Art, 2005. Text by Rossella Martignoni. 2004 Cologne, Germany. SMB DuMont. Friedrich Christian Flick Collection im Hamburger Bahnhof, 2004. Texts by Eugen Blume, Joachim Jäger, Gabriele Knapstein. Houston, Texas. Contemporary Arts Museum Houston. Perspectives @ 25: A Quarter Century of New Art in Houston, 2004. Texts by Nayland Blake, Marti Mayo, et al. Ostfildern-Ruit, Germany. Hatje Cantz. Art Basel Miami Beach, 2004. Edited by Holger Steinemann, Juerg Andres. Reims, France. Le Collège - Fonds Régional d’Art Contemporain Champagne-Ardenne. Celebration!: 20 Ans du FRAC Champagne-Ardenne, 2004. Texts by François Quintin, et al. Toronto, Ontario, Canada. Prefix Institute of Contemporary Art. Prefix Photo, 2004. Texts by Scott McLeod, Terence Dick, Allan Sekula. Waregem, Belgium. BE-PART Platform voor actuele kunst, Schöner Wohnen, 2004. Texts by Camiel van Winkel, Moritz Küng. 2003 Paris, France. Larousse. Arts et Nouvelles Technologies: Art Video Art Numerique, 2003. Text by Florence de Mèredieu. Karlsruhe, Germany. Kunstverlag Ingvild Goetz G.m.b.H./Sammlung Goetz/AutorInnen und KunstlerInnen. Fast Forward: Media Art Sammlung Goetz, 2003. Texts by Ingvild Goetz, Stephan Urbaschek, Fernanda Arruda, Franz Ackermann. Kassel, Germany. Kassel University Press. XXD11: Über Kunst und Künstler der Gegenwart Ein NachLesebuch zur Documenta 11, 2003. Edited by Bernhard Balkenhol, Heiner Georgsdorf, Pierangelo Maset. London, England. Routledge. Postmodernism in History: Fear or Freedom, 2003. Text by Beverly Southgate. Middletown, Connecticut. Wesleyan University Press. The Constructivist Moment, 2003. Text by Barrett Watten. New York, New York. Solomon R. Guggenheim Museum. Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, 2003. Texts by John Hanhardt, Nancy Spector. Ottawa, Ontario, Canada. The National Gallery of Canada. Treasures of the National Gallery of Canada, 2003. Text by Pierre Théberge. San Francisco, California. California College of the Arts Wattis Institute for Contemporary Arts. Baja to Vancouver: The West Coast and Contemporary Art, 2003. Texts by Ralph Rugoff, Douglas Coupland, Matthew Coolidge, Lisa Robertson, Matthew Stadler. 2002 Aarhus, Denmark. Aarhus Kunstmuseum. Hollywood Revisited, 2002. Texts by Anna Krough, Gitte Ørskou. Antwerp, Belgium. New International Cultural Center, The Big Show, 2002. Texts by Wim Peeters, Gerrit Vermeiren, et al. Kassel, Germany. Museum Fridericianum Veranstaltungs-GmbH. documenta 11_ Platform 5: Exhibition, Catalogue, 2002. Text by Okwui Enwezor. Nuremberg, Germany. Verlag für Moderne Kunst. The House of Fiction: Sammlung Hauser und Wirth/Part 3, 2002. Text by Michaela Unterdörfer. São Paulo. Brazil. Fundação Bienal de São Paulo. Países: 25a Bienal de São Paulo, 2002. Texts by Alfons Hug, Christopher J. Ainsbury, John Norman. 2001 Auckland, New Zealand. Auckland Art Gallery. Bright Paradise: The 1st Auckland Triennial, 2001. Edited by Allan Smith. Istanbul, Turkey. Ecofugal:7th International Istanbul Biennial, 2001. Edited by Oshima Santo. Milan, Italy. Electa. La Biennale di Venezia: 49. Esposizione Internazionale d'Arte: Platea dell'Umanità = Plateau of Humankind, 2001. Texts by Harald Szeemann, Cecilia Liveriero Lavelli, Lara Facco, Chiara Barbieri. Munich, Germany. Kunsthalle der Hypo-Kulturestiftung. Loop-Alles auf Anfang, 2001. Texts by Jennifer Allen, Klaus Biesenbach. Paris, France. Réunion des Musées Nationaux. Action, On Tourne/Action, We’re Filming, 2001. Text by Laurence Gateau. Paris, France. Regard. Video: Un Art Contemporain, 2001. Text by Françoise Parfait. Riga, Latvia. Latvian Center for Contemporary Art. Musdienu Utopija/Contemporary Utopia, 2001. St. Gallen, Switzerland. Sammlung Hauser und Wirth. Alternating Current: Sammlung Hauser und Wirth/Part 2, 2001. Edited by Michaela Unterdorfer. Toronto, Ontario, Canada. YYZ Books. Money, Value, Art: State Funding, Free Markets, Big Pictures, 2001. Texts by Sally McKay, Andrew J. Paterson. 2000 Hamilton, Ontario, Canada. Art Gallery of Hamilton. Thinking Space: Selections from the Ann and Marshall Webb Collection, 2000. Text by Shirley Madill. Lake Worth, Florida. Palm Beach Institute of Contemporary Art. Making Time: Considering Time as a Material in Contemporary Video and Film, 2000. Texts by Amy Cappellazzo, Adriano Pedrosa, Peter Wollen. London, England. The National Art Collections Fund. Review: The National Art Collections Fund, 2000. Edited by Caroline Bugler. Los Angeles, California. Museum of Contemporary Art. The Social Scene: The Ralph M. Parsons Foundation Photography Collection at The Museum of Contemporary Art, Los Angeles, 2000. Text by Max Kozloff. Minneapolis, Minnesota. Walker Art Center. Let’s Entertain: Life’s Guilty Pleasures, 2000. Text by Philippe Vergne. Minneapolis, Minnesota. Walker Art Center. Magnetic North, 2000. Texts by Arnait Ikajurtight, et al. New York, New York. Dia Art Foundation. Double Vision: Stan Douglas and Douglas Gordon, 2000. Texts by Lynne Cooke, Sianne Ngai, Nancy Shaw, Neville Wakefield. New York, New York. The Museum of Modern Art. Modern Contemporary: Art at MoMA Since 1980, 2000. Texts by Kirk Varnedoe, Paola Antonelli, Joshua Siegel. New York, New York. The Solomon R. Guggenheim Foundation. The Hugo Boss Prize: 2000, 2000. Texts by Vito Acconci, Maurizio Cattelan, Michael Elmgreen, Ingar Dragset, Tom Friedman, Barry Le Va, Marjetica Potrc, Tunga. Oxford, England. Museum of Modern Art Oxford. Enclosed & Enchanted, 2000. Text by Kerry Brougher, Michael Tarantino. Rotterdam, The Netherlands. Foto Biënnale Rotterdam. Positions Attitudes Actions: Engagement in de Fotografie = Social and Political Commitment in Photography, 2000. Texts by Frits Gierstberg, Flos Wildschut, Vera Bagaliantz, Beth O'Brien. Seoul, Korea. MediaCity Seoul 2000 Organizing Committee. Media City Seoul 2000, 2000. Text by Soul Sirip Misulgwan. St. Gallen, Switzerland. Sammlung Hauser und Wirth. Sammlung (1), The Oldest Possible Memory 1, 2000. Sydney, Australia. Biennale of Sydney. 12th Biennale of Sydney, 2000. Edited by Ewen McDonald. 1999 Bonn, Germany. Bonner Kunstverein. Rewind to the Future, 1999. Text by Annelie Pohlen. Brussels, Belgium. Palais des Beaux-Arts de Bruxelles. Umwelt Umfeld, 1999. Cologne, Germany. Taschen. Art at the Turn of the Millenium, 1999. Texts by Burkhard Riemschneider, et al. Leipzig, Germany. Galerie für Zeitgenossische Kunst Leipzig. Moving Images, 1999. Dirk Luckowm, Jan Winkelmann. Lisbon, Portugal. Centro Cultural de Belem. Flashes, 1999. Montreal, Quebec, Canada. Leonard & Bina Ellen Art Gallery, Concordia University. The Modernist Document, 1999. Texts by Nancy Shaw. New York, New York. Thames & Hudson. Searchlight: Consciousness at the Millenium, 1999. Edited by Lawrence Rinder. Texts by William James, Thomas Nagel, Francisco J. Varela, John R. Scarle, Francis Crick. San Francisco, California. San Fancisco Museum of Modern Art. Seeing Time, 1999. Text by David A. Ross. Vienna, Austria. Folio Verlag. Widerstande: Kunst, Cultural Studies, Neue Medien: Interviews und Aufsätze aus der Zeitschrift Springerin 1995-1999, 1999. Text by Christian Höller. Zurich, Switzerland. Ringier AG. Kunst bei Ringier, 1995-1998, 1999. Text by Beatrix Ruf. 1998 Baden, Austria. Felsenvilla. Sharawadgi, 1998. Edited by Mathias Poledna. Berlin, Germany. Cantz Verlag. Berlin/Berlin, 1998. Edited by Klaus Biesenbach, Hans Ulrich- Obrist, Nancy Spector. Dortmund, Germany. Hartware Projekte. Reservate der Sehnsucht, 1998. Text by Daniel Garcia Andujar, Thomas Wrede. Irvine, California. The Art Gallery, University of California at Irvine. Play Mode, 1998. Text by Anne Walsh. London, England. Phaidon Press. Cream: Contemporary Art in Culture, 1998. Texts by Cesar Aira, et al. London, England. The South Bank Centre. Voice Over: Sound and Vision in Current Art, 1998. Text by Michael Archer. Milan, Italy. City Council of Milan/Triennale di Milano. Facts & Fiction: Arte e Narrazione, 1998. Edited by Roberto Pinto, Jen Budney. Texts by Serfio Scalpelli, et al. Stockholm, Sweden. Galleri Index and Tensta Konsthall. Stretch, 1998. Texts by Karina Ericsson Warn, Helena Holmberg. Stockholm, Sweden. Moderna Museet. Wounds: Between Democracy and Redemption in Contemporary Art, 1998. Texts by David Elliott, Pier Luigi Tazzi. Utrecht, The Netherlands. Festival Theater AD Werf Utrecht Stichting. Altered States, 1998. Vienna, Austria. Künstlerhaus Wien. Ghost Story: Nachbilder des Kinos, 1998. Texts by Alexander Horwath, Bert Rebhandl. Zurich, Switzerland. Coutts Contemporary Art Foundation. Coutts Contemporary Art Awards 1998: Stan Douglas, Marlene Dumas, Edward Ruscha, 1998. Texts by Sir Ewan Ferguson, et al. 1997 Cologne, Germany. Salon and David Zwirner. Someone Else with my Fingerprints, 1997. Texts by Hanjo Berressem, Wilhelm Schürmann. Helsinki, Finland. Muu Gallery. Muu Magazine syksy, No. 1, 1997. Johannesburg, South Africa. Greater Johannesburg Metropolitan Council, South Africa and the Prince Claus Fund for Culture and Development, The Netherlands. Trade Routes. History and Geography, 1997. Texts by Okwui Enwezor, Francesco Bonami, et al. Kassel, Germany. Edition Cantz. documenta X, 1997. Text by Catherine David. Kwangju, Korea. Kwangju Biennale Press. Unmapping the Earth, 1997. Texts by Paul Virilio, John Rajchman, Harald Szeeman, et al. London, England. Thames & Hudson. Art Since 1960, 1997. Text by Michael Archer. Lyon, France. Réunion des Musées Nationaux. 4th Biennale de Lyon, 1997. Texts by Harald Szeeman, Raymond Barre, et al. Munster, Germany. Verlag Gerd Hatje. Sculpture: Projects in Münster 1997, 1997. Edited by Klaus Bußmann, Kasper König, Florian Matzner. New York, New York. Harry N. Abrams, Inc. New Art, 1997. Texts by Roxana Marcoci, Diana Murphy. Ravenna, Italy. Printed Matter. Art Recollection. Artist’s Interviews and Statemements in the Nineties, 1997. Edited by Gabriele Detterer. Reading, Pennsylvania. Freedman Gallery, Albright College,Center for the Arts. Timeframes, 1997. Text by Donald Burton Kuspit. 1996 Athens, Greece and Ostfildern, Germany. The Deste Foundation and Cantz Verlag. Everything That's Interesting is New: The Dakis Joannou Collection, 1996. Edited by Jeffery Deitch, texts by Stuart Morgan, et al. Dusseldorf, Germany. Provinzial. Kunst in der Provinzial, 1996. Texts by Bernd Michaels, Raimund Stecker, Hubertus Butin. Ghent, Belgium. Museum van Hedendaagse Kunst. De Rode Poort/The Red Gate, 1996. Texts by Dirk Pauwels, Marleen Deceukelier, Hans Martens. Graz, Austria. Steirischer Herbst 96. Inklusion Exklusion. Kunst im Zeitalter von Postkolonialismus und globaler Migration, 1996. Texts by Peter Weibel, Edward W. Said, et al. Humlebæk, Denmark. Louisiana Museum of Modern Art, NowHere, 1996. Text by Harald Fricke. Los Angeles, California and New York, New York. Museum of Contemporary Art and The Monacelli Press. Art and Film Since 1945: Hall of Mirrors. Texts by Kerry Brougher, Jonathan Crary, Russell Ferguson, Bruce Jenkins, Kate Linker, Molly Nesbit, Robert Rosen. Miami, Florida. Museum of Contemporary Art. Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles, 1996. Texts by Bonnie Clearwater, Michael Duncan, Allan Schwartzman. New York, New York. The Solomon R. Guggenheim Foundation. The Hugo Boss Prize: 1996, 1996. Texts by Lisa Dennison, Nancy Spector, Jon Ippolito. Sydney, Australia. Art Gallery of New South Wales. Jurassic Technologies Revenant, 1996. Texts by Lynne Cooke, Jonathan Crary, Elisabeth Sussman, et al. Sydney, Australia. Museum of Contemporary Art. Real Fictions: Four Canadian Artists, 1996. Texts by Peggy Gale, Dot Tuer, et al. Weimar, Germany. Kunstsammlungen zu Weimar. Nach Weimar, 1996. Texts by Klaus Biesenbach, Nicolaus Schaffhausen, Hans Ulrich Obrist, et al. 1995 Amsterdam, The Netherlands. Stedelijk Museum. Notion of Conflict: A Selection of Contemporay Canadian Art, 1995. Texts by Rudi Fuchs, Dorine Mignot. Arles, France. Rencontres Internationales de la Photographie. Le Catalogue: 26es Rencontres Internationales de la Photographie, 1995. Dusseldorf, Germany. Witte de With. Witte de With__Cahier No. 3, 1995. Hamburg, Germany. Deichtorhallen Hamburg. Temporary Translation(s): Sammlung Schürmann: Kunst der Gegenwart und Fotografie, 1995. Lyon, France. Musée d'Art Contemporain. 3e Biennale de Lyon, 1995. Texts by Dan Cameron, Barbara London, Gladys Fabre, et al. Montreal, Quebec, Canada. Musée d’Art Contemporain de Montréal. L'Effet cinéma, 1995. Text by Réal Lussier Montreal, Quebec, Canada. Musée d’Art Contemporain de Montréal. Instants Photographiques: Oeuvres Choisies de la Collection, 1995. Text by Josée Bélisle. Munich, Germany. Kunsthalle der Hypo-Kulturstiftung. Das Ende der Avantgarde: Kunst als Dienstleistung, 1995. New York, New York. Thea Westreich Art Advisory Services. The Collection of Pamela + Richard Kramlich: A Tour of Selected Works, 1995. Two volumes. New York, New York. The Museum of Modern Art. Video Spaces: Eight Installations, 1995. Text by Barbara London. New York, New York. Whitney Museum of American Art. 1995 Whitney Biennial, 1995. Texts by Klaus Kertess, John Ashbery, Gerald M. Edelman, John G. Hanhardt, Lynne Tillman. Pittsburgh, Pennsylvania. Carnegie Museum of Art. 1995 Carnegie International, 1995. Text by Richard Armstrong. Tokyo, Japan. Setagaya Art Museum. Spirits on the Crossing, 1995. Texts by Diana Nemiroff, Shinji Kohmoto, Yuko Hasegawa. Villeneuve d'Ascq, France. Musée d'Art Moderne. Le Monde Après la Photographie, 1995. Text by Régis Durand. 2 volumes. 1994 Copenhagen, Denmark. Galerie Nicolai Wallner. Stan Douglas, Douglas Gordon, Joachim Koester, 1994. Text by Simon Sheikh. Montreal, Quebec, Canada. Cinema Libre. Les Absences de la photographie, 1994. Text by Nicole Gingras. Munich, Germany. Verlag Silke Schreiber. Jahresring 41: Jahrbuch fur moderne Kunst, 1994. San Francisco, California. San Francisco Museum of Modern Art. Public Information: Desire, Disaster, Document, 1994. Texts by Gary Garrels, Jim Lewis, Abigail Solomon-Godeau, Sandra S. Phillips, Robert R. Riley, John S. Weber. 1993 Annandale-on-Hudson, New York. Procter Art Center, Bard College, Tele-Aesthetics, 1993. Text by Sandra Antelo-Suarez. Carquefou, France. Fonds régional d'art contemporain des Pays de la Loire. Canada, une nouvelle génération, 1993. Texts by Anne Dary, Jean-Francois Taddei, Marc Mayer, Catherine Bédard. Regina, Saskatchewan, Canada. Mackenzie Art Gallery. Working Truths/Powerful Fictions: Regina Work Project, 1993. Text by Jessica Bradley. [exhibition in 1991] Toronto, Ontario, Canada. Art Metropole. Artists' VHS Videotape Series, 1993. Vancouver, British Columbia, Canada. Arsenal Pulp Press. Whispered Art History: Twenty Years at the Western Front, 1993. Edited by Keith Wallace. Texts by Karen Knights, William Wood, Peter Culley, Alexander Varty, Judy Radul. Vancouver, British Columbia, Canada. Artspeak Gallery. Behind the Sign, 1993. Texts by Stan Douglas, Cate Rimmer, Scott Watson, Miriam Nichols, et al. Vancouver, British Columbia, Canada. Vancouver Art Gallery. Out of Place, 1993. Texts by Gary Dufour, Peter Culley, et al. Winnipeg, Manitoba, Canada. Winnepeg Art Gallery. Private/Public. Prive/Public, 1993. Text by Shirly J.R. Madill. 1992 Kassel, Germany. documenta IX, 1992. Text by Jan Hoet, et al. Paris, France. Museé national d'Art moderne. Vidéo et Apres: La Collection Vidéo du Musee National d'Art Moderne, 1992. Edited by Christine Van Assche. Toronto, Ontario, Canada. The Power Plant. The Creation.of the African-Canadian Odyssey, 1992. Text by Nkiru Nzegwu. 1991 Berlin. Germany. Realismus Studio der NBK. Schwarze Kunst, 1991. Texts by Frank Wagner, Hilton Als, Yasmin Ramirez.
Tokyo, Japan. Canadian Embassy. Northern Lights, 1991. Text by Peggy Gale.
Vancouver, British Columbia, Canada. Talonbooks. Vancouver Anthology: The Institutional Politics
of Art, 1991. Ed. Stan Douglas.
1990 Paris, France. Centre Georges Pompidou. Passages de l'image, 1990. Texts by
Christine van Assche, Raymond Bellour, Catherine David.
Saskatoon, Saskatchewan, Canada. Mendel Art Gallery. Issues in Contemporary Video, 1990.
Sydney, Australia. Art Gallery of New South Wales. Sydney Biennale, 1990. Texts by René
Block, et al.
Toronto, Ontario, Canada. The Power Plant. Reenactment between Self and Other, 1990. Text by
Barbara Fischer.
Venice, Italy. Fabri Editori. XLIV Espozione International D'Arte: La Biennale di Venezia, 1990.
1989 Ottawa, Canada. National Gallery of Canada. Biennial Exhibition of Contemporary Canadian
Art,
1989. Text by Diana Nemiroff.
Stockholm, Sweden. VAVD Editions. Made in Camera, 1989. Edited by Peter Andersson.
Stuttgart, Germany. Staatsgalerie Stuttgart. Photo Kunst, 1989. Text by Jean-François Chevrier.
1986 Ottawa, Canada. National Gallery of Canada. Songs of Experience, 1986. Texts by Jessica
Bradley,
Diana Nemiroff.
Surrey, British Columbia, Canada. Surrey Art Gallery. Mechanics of Memory, 1986. Text by Jane
Young.
Vancouver, British Columbia, Canada. Vancouver Art Gallery. Broken Muse, 1986. Texts by Helga
Pakasaar and Keith Wallace.
1983 Vancouver, British Columbia, Canada. Vancouver Art Gallery. Vancouver: Art and Artists 1931-
1983, 1983. Texts by Jo-Anne Birnie Danzker, Lorna Farrell-Ward, Scott Watson, et al.
ESSAYS & PUBLISHED TEXTS BY THE ARTIST
2009 “Afterword,” Vancouver Anthology: The Institutional Politics of Art, Revised Edition, Vancouver,
British Columbia, Canada. Talonbooks. Edited by Stan Douglas, 2009
“Foreword,” Art of Projection, Hatje Cantz. Edited by Christopher Eamon, Stan Douglas, 2009: 6-9.
2006 “Regarding Shadows,” Beyond Cinema: The Art of Projection: Works from the Friedrich
Christian
Flick Collection, Hamburger Bahnhof - Museum für Gegenwart, 2006: 17-20.
1997 “Television Talk” in Art Recollection. Artists’ Interviews and Statements in the Nineties, Danilo
Montanari & Exit & Zona Archives Edition. Edited by Gabriele Detterer, 1997.
1996 Television Talk, Little Cockroach Press 1. Art Metropole. (April 1996)
1993 “Pursuit, Fear, Catastrophe: Ruskin B.C. (1993),” Jahresring 41: Jahrbuch für moderne Kunst,
edited by Christiane Schneider, 1994.
“Police Daily Record” Project for Frieze, No. 12, (September 1993), pp. 46-47, ill.
1992 “Accompaniment to a Cinematographic Scene: Ruskin B.C.,” West Coast Line XXVI: 2
(Burnaby:
Simon Fraser University, Fall 1992), pp. 9-12; ill., front & back covers.
1991 “Joanne Tod and the Final Girl,” Joanne Tod (Toronto/Saskatoon:The Power Plant/Mendel Art
Gallery), pp. 31-52; rpt abr. Parachute 65 (January-March 1991): 11-17.
1990 “Public Art in a Nutshell,” paper delivered at Politics of the Image, Dia Center for the Arts, New
York, New York, November 1990.
“Shades of Masochism: Samuel Beckett's Teleplays,” Australia: Photofile (Fall 1990). pp. 16-25, ill.
1988 Samuel Beckett: Teleplays. Stan Douglas, ed. (Vancouver: Vancouver Art Gallery, 1988):
80pp. Texts by Samuel Beckett, Linda Ben-Zvi, Clark Coolidge, Stan Douglas, Willard
Holmes. Edited by Stan Douglas.
“Goodbye Pork-Pie Hat,” Samuel Beckett: Teleplays, pp.11-19; rpt. Vanguard (November 1988),
pp.16-21, ill. with Deanna Ferguson, Link Fantasy (Vancouver: Artspeak Gallery, 1988),
24pp.
SELECTED AWARDS
2009 Honorary Doctoral Degree, Emily Carr University of Art + Design, Vancouver, British Columbia,
Canada
2008 Bell Award in Video, The Canada Council for the Arts, Ottawa, Ontario, Canada
2007 Hnatyshyn Foundation Award, The Hnatyshyn Foundation, Ottawa, Ontario, Canada
2001 Arnold Bode Prize, Documenta, Kassel, Germany
1999 Gershon Iskowitz Prize, The Gershon Iskowitz Foundation and the Art Gallery of Ontario,
Toronto,
Ontario, Canada
1998 Coutts Contemporary Art Foundation Award, Coutts Bank, Zurich, Switzerland
1996 Mies van der Rohe Stipendium, Kaiser Wilhelm Museum, Krefeld, Germany
1994-95 DAAD Scholarship, Berlin, Germany
TEACHING POSITIONS
2009-present Art Center College of Design, Los Angeles, California
2004-2006 Universität der Künst, Berlin, Germany
SELECTED PUBLIC COLLECTIONS
Art Gallery of Ontario, Toronto, Ontario, Canada
Centre Georges Pompidou, Paris, France
Dallas Museum of Art, Dallas, Texas
Ellipse Foundation, Alcoitão, Cascais, Portugal
Fondation Cartier pour l'art contemporain, Paris, France
Hamburger Bahnhof - Museum für Gegenwart, Berlin, Germany
Joslyn Art Museum, Omaha, Nebraska
Koninklijke Musea voor Schone Kunsten, Brussels, Belgium
Morris and Helen Belkin Art Gallery at the University of British Columbia, Vancouver, British
Columbia, Canada
Musee d'Art Moderne Grand-Duc Jean, Luxembourg City, Luxembourg
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
Museum of Contemporary Art, Chicago, Illinois
The Museum of Modern Art, New York, New York
Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
Museum van Hedendaagse Kunst, Ghent, Belgium
National Gallery of Canada, Ottawa, Ontario, Canada
San Francisco Museum of Modern Art, San Francisco, California
Solomon R. Guggenheim Museum, New York, New York
Staatsgalerie Stuttgart, Stuttgart, Germany
The Studio Museum in Harlem, New York, New York
Tate Collection, London, England
Vancouver Art Gallery, Vancouver, British Columbia, Canada
Walker Art Center, Minneapolis, Minnesota
Winnipeg Art Gallery, Winnipeg, Manitoba, Canada

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